Italy… it’s not just a country—it’s a love affair waiting to happen, especially if you’re a film photographer like me. There’s something magical about seeing Venice’s canals, Florence’s sun-drenched piazzas, and the Amalfi Coast’s breathtaking views come alive on film. My go-to choices? Kodak Portra 400 and Kodak Gold 200. Trust me, those emulsions are like poetry for your camera.

Venice: Romance Drenched in Light

Okay, story time. The first time I shot in Venice, I got up at 5 AM (and I am not a morning person) to catch that ethereal morning light. The payoff? Empty canals, a golden hue over the Grand Canal, and a couple so smitten they practically floated through their session. Venice at sunrise is pure magic—even if you’re running on nothing but espresso and adrenaline.

And let’s not forget the gondolas. It’s impossible to take a bad photo of a gondola, but on film? It’s like the gondola knows it’s being immortalized and decides to look extra dashing. Check out this sunrise session for a slice of that Venetian magic.

Florence: A Renaissance Painting Come to Life

You know that feeling when you walk into a museum and think, “Wow, I’ll never be this talented”? That’s Florence for you. Except you don’t need a ticket… the whole city feels like an open-air gallery. I’ve shot engagements near the Ponte Vecchio and family sessions in the Boboli Gardens, but one moment sticks with me: an impromptu portrait under the shadow of the Duomo. The way the late afternoon sun hit those terracotta rooftops… it was as if Florence was whispering, “You’re welcome.”

Kodak Gold 200 was my secret weapon here. It’s warm, forgiving, and has this magical way of making everything look like it belongs on a postcard. Check out this Florence shoot if you need proof. It’ll make you want to pack a bag and book a ticket.

Amalfi Coast: Colors That Pop on Film

If Venice is romantic and Florence is cultured, the Amalfi Coast is like that friend who’s always the life of the party. Bright, colorful, and unapologetically bold. Shooting in Positano was a dream come true—and a leg workout I wasn’t prepared for. (Seriously, those stairs are no joke.)

Kodak Portra 400 was the MVP here, handling the high contrast and bold colors like a champ. Curious? Take a peek at Melissa and Tyler’s session. It’s like stepping into a Dolce & Gabbana ad.

Lake Como: Pure Class and Cinematic Elegance

Picture this: a wooden boat gliding across the still waters of Lake Como, a couple dressed to the nines, and me hanging off the side like a human tripod. Glamorous? Not for me, but absolutely for them! Lake Como is elegance personified.

One time, I had a bride ask, “Can you make this look like an old Hollywood film?” Challenge accepted. Kodak Gold 200 was my go-to for its soft, romantic tones. The villas, the gardens, the vibe… it’s all so cinematic it practically directs itself. If you’re still on the fence about Lake Como’s photogenic prowess, this shoot will convince you.

Why Film Fits Luxury Weddings Like a Glove

Here’s the thing about film photography… it’s like vinyl records. Sure, digital is convenient, but film? It’s got soul. At luxury weddings, where every detail is curated to perfection, film photography feels like the cherry on top. The slight imperfections, the rich tones, the tangible nostalgia—it all adds up to something uniquely special.

And couples love it! There’s always this little “wow” moment when they realize their photos are actually on film. It’s like watching their wedding day become a classic movie.

Mixing Film and Digital: The Sweet Spot

I’ll be honest… shooting a whole wedding on film isn’t practical. But mixing film with digital? That’s the sweet spot. I use digital for the fast-paced moments—like Uncle Bob’s impromptu breakdancing—and save film for the iconic shots. The first kiss, the wide shot of the venue, the quiet moment after the vows… those are film’s time to shine.

Also, film makes me slow down. When you’ve only got 36 frames, you’re not just snapping away. Every shot has to count, which makes the whole process feel more intentional. It’s like savoring a fine wine instead of chugging a cheap beer.

Why Kodak Portra 400 and Gold 200 Are My Ride-or-Dies

Listen, I’ve flirted with other film stocks, but Kodak Portra 400 and Gold 200 are my forever loves. Portra 400 is like the Swiss Army knife of film—it handles skin tones, dynamic light, and bold colors effortlessly. Gold 200, on the other hand, is like your sun-kissed bestie… perfect for bright, vibrant scenes. Together, they’re unstoppable.

Final Thoughts..

Italy is the ultimate playground for film photographers. From the romance of Venice to the sophistication of Lake Como, every frame tells a story. Film adds something special to destination weddings and couple portraits… it’s not just an image; it’s an experience.

So if you’re planning an Italian adventure or tying the knot abroad, let’s make some magic on film. Trust me… you’ll thank me when you’re holding those prints in your hands, feeling all the feels.